《爆炸头米拉1：米拉的大烦恼》
米拉实在很讨厌她的头发，她多希望有一头顺溜溜的直发啊！可是，一天早上，天哪，怎么一根头发都不见了？！
《爆炸头米拉2：米拉的大秘密》
米拉想养一只宠物，但是妈妈不同意。一天，米拉偶然遇到一只受伤的小松鼠，米拉小心翼翼地把它带回家藏在卧室里，可是，啊哦，竟然被妈妈发现了……
《爆炸头米拉3：米拉的大发现》
米拉终于有了一盆自己的花苗，可是，怎么有只虫子在吃宝贝花苗的叶子啊！米拉本来想把虫子赶走，可最后却跟“虫子”做了朋友，这是为什么呢？
人见人爱的爆炸头米拉一起，让您的孩子变得更自信、更勇敢、更有爱心，也让您更接纳孩子。
米拉的快乐和烦恼，也是很多三四岁孩子都有的快乐和烦恼。这些故事太有趣、太令人心动了！每看一遍都让您和孩子更爱彼此。
《爆炸头米拉1：米拉的大烦恼》
米拉实在很讨厌她的头发，她多希望有一头顺溜溜的直发啊！可是，一天早上，天哪，怎么一根头发都不见了？！
《爆炸头米拉2：米拉的大秘密》
米拉想养一只宠物，但是妈妈不同意。一天，米拉偶然遇到一只受伤的小松鼠，米拉小心翼翼地把它带回家藏在卧室里，可是，啊哦，竟然被妈妈发现了……
《爆炸头米拉3：米拉的大发现》
米拉终于有了一盆自己的花苗，可是，怎么有只虫子在吃宝贝花苗的叶子啊！米拉本来想把虫子赶走，可最后却跟“虫子”做了朋友，这是为什么呢？
人见人爱的爆炸头米拉一起，让您的孩子变得更自信、更勇敢、更有爱心，也让您更接纳孩子。
米拉的快乐和烦恼，也是很多三四岁孩子都有的快乐和烦恼。这些故事太有趣、太令人心动了！每看一遍都让您和孩子更爱彼此。
《爆炸头米拉1：米拉的大烦恼》
米拉实在很讨厌她的头发，她多希望有一头顺溜溜的直发啊！可是，一天早上，天哪，怎么一根头发都不见了？！
《爆炸头米拉2：米拉的大秘密》
米拉想养一只宠物，但是妈妈不同意。一天，米拉偶然遇到一只受伤的小松鼠，米拉小心翼翼地把它带回家藏在卧室里，可是，啊哦，竟然被妈妈发现了……
《爆炸头米拉3：米拉的大发现》
米拉终于有了一盆自己的花苗，可是，怎么有只虫子在吃宝贝花苗的叶子啊！米拉本来想把虫子赶走，可最后却跟“虫子”做了朋友，这是为什么呢？
人见人爱的爆炸头米拉一起，让您的孩子变得更自信、更勇敢、更有爱心，也让您更接纳孩子。
米拉的快乐和烦恼，也是很多三四岁孩子都有的快乐和烦恼。这些故事太有趣、太令人心动了！每看一遍都让您和孩子更爱彼此。
Charles Solomon is an internationally respected critic and historian of animation. He has written on the subject for The New York Times, TV Guide, Newsweek, Rolling Stone, Los Angeles Times, Modern Maturity, Film Comment, and The Hollywood Reporter. His books include Tale As Old As Time: The Art and Making of Beauty and the Beast; Disney Lost and Found, The Prince of Egypt: A New Vision in Animation, The Disney That Never Was, and Enchanted Drawings: The History of Animation, which was a New York Times Notable Book of the Year, and the first film book to be nominated for a National Book Critics' Circle Award.
ls-than the Disney Golden Books.The history of these books began in 1933, when the president of Whitman Publishing wrote a letter to Walt Disney. Whitman had already published compilations of the "Dick Tracy" and "Little Orphan Annie" comic strips, and these Big Little Books had met with great success. The publisher proposed a similar collection of the "Mickey Mouse" comic strips, and offered a royalty of one-half percent per book. Walt agreed, and a new era in Disney publishing commenced.A remarkable lineup of talent, many of whom were Disney Studio artists - including Mary Blair, Alice and Martin Provensen, Gustaf Tenggren, Al Dempster, Retta Scott Worcester, and Bill Peet -created the illustrations for the early Disney Golden Books. The bold and incredibly detailed artwork was painstakingly executed in gouache and watercolour - media that required a steady hand and immense patience and precision. The resulting publications became favourite selections in the libraries of many children, among them, future generations of Disney and Pixar artists who were inspired to draw, dream, and later, create their own films and Golden Books.The Art of the Disney Golden Books celebrates a legacy that has now thrived for more than eighty years and continues to influence new generations of artists and filmmakers. Through interviews with contemporary animators who recall tracing the characters in their childhood Disney Golden Books, paintings by artists who influenced and inspired the Disney Golden Book illustrations, and a generous complement of Golden Book artwork - much of which was thought to have been lost until very recently - the rich tradition of the series is explored in this vibrant volume.From Peter Pan and Cinderella to Toy Story and Tangled, the Disney Golden Books are displayed in all their glory, evoking a poignant sense of wonder and nostalgia. For as long as parents and children partake in the ritual of reading together at bedtime, the Disney Golden Books will continue to be published, enjoyed, and treasured.
