Charles Solomon is an internationally respected critic and historian of animation. He has written on the subject for The New York Times, TV Guide, Newsweek, Rolling Stone, Los Angeles Times, Modern Maturity, Film Comment, and The Hollywood Reporter. His books include Tale As Old As Time: The Art and Making of Beauty and the Beast; Disney Lost and Found, The Prince of Egypt: A New Vision in Animation, The Disney That Never Was, and Enchanted Drawings: The History of Animation, which was a New York Times Notable Book of the Year, and the first film book to be nominated for a National Book Critics' Circle Award.
ls-than the Disney Golden Books.The history of these books began in 1933, when the president of Whitman Publishing wrote a letter to Walt Disney. Whitman had already published compilations of the "Dick Tracy" and "Little Orphan Annie" comic strips, and these Big Little Books had met with great success. The publisher proposed a similar collection of the "Mickey Mouse" comic strips, and offered a royalty of one-half percent per book. Walt agreed, and a new era in Disney publishing commenced.A remarkable lineup of talent, many of whom were Disney Studio artists - including Mary Blair, Alice and Martin Provensen, Gustaf Tenggren, Al Dempster, Retta Scott Worcester, and Bill Peet -created the illustrations for the early Disney Golden Books. The bold and incredibly detailed artwork was painstakingly executed in gouache and watercolour - media that required a steady hand and immense patience and precision. The resulting publications became favourite selections in the libraries of many children, among them, future generations of Disney and Pixar artists who were inspired to draw, dream, and later, create their own films and Golden Books.The Art of the Disney Golden Books celebrates a legacy that has now thrived for more than eighty years and continues to influence new generations of artists and filmmakers. Through interviews with contemporary animators who recall tracing the characters in their childhood Disney Golden Books, paintings by artists who influenced and inspired the Disney Golden Book illustrations, and a generous complement of Golden Book artwork - much of which was thought to have been lost until very recently - the rich tradition of the series is explored in this vibrant volume.From Peter Pan and Cinderella to Toy Story and Tangled, the Disney Golden Books are displayed in all their glory, evoking a poignant sense of wonder and nostalgia. For as long as parents and children partake in the ritual of reading together at bedtime, the Disney Golden Books will continue to be published, enjoyed, and treasured.
1.立体挂图，火车形象立体。托马斯和它的朋友们全部立体凸起，立体挂图乐趣多。
2．1-20立体凸起。托马斯与儿童数数完美融合，视觉、触觉多方位激发儿童学习兴趣，全面提高孩子对数字的认知能力。
3．绿色环保，材料无毒无害，符合国家玩具安全标准，家长放心，孩子开心。
《托马斯和朋友 托马斯益智立体挂图》巧妙地运用托马斯等经典形象，采用先进的凹凸印刷技术，整个画面凹凸起伏，立体逼真。深受孩子们喜欢的小火车等形象全部采用3D图片，色彩丰富鲜艳，形象凹凸立体。有好的形式，更有好的内容，全系列8个主题，分别为：常用汉字表、数字1-20，英语ABC、汉字拼音aoe、10以内加减法、20以内加减法、认识时间、认识交通工具和工程车，覆盖了幼儿早期教育的方方面面。
2-5岁是儿童观察力发展的关键期，适合对孩子进行观察力水平的起步训练，能激发孩子的最大智力潜能。本书内容设置贴合低龄儿童的观察力发展水平，让孩子从零开始，爱上观察，学会观察。针对不同年龄段，进行明确的难度分级，更好地强化训练效果。画面柔和，在促进视觉发展的同时，保护孩子的视力。重现式训练内容，全面提升孩子的记忆力、观察力和注意力。
《谷希》：谷希最喜欢的红靴子不见了，是被人偷走了吗？当红雨靴重新出现时，却带来了一点小小的惊喜，与人分享心爱的宝贝也是件快乐的事。
《谷希和谷奇》：谷希和谷奇是最要好的朋友，每一次谷希说“跟我来”时，谷奇都会跟在后面，可要是换作谷奇说“跟我来”，谷希会怎么做呢？
《奥力》：好几个星期里，谷希和谷奇一直等着奥力孵出蛋壳，可是奥力说他不想出来。那就等着吧，看看谁更“着急”。
《谷希谷奇和奥力》：谷希有一双鲜红色的雨靴，谷奇有天蓝色的雨靴，奥力也想要靴子。两双靴子，三个人，怎么分呢？鹅宝宝们自有解决的办法。
《谷希和谷奇》
《谷希谷奇和奥力》
《奥力》
《谷希》
宝宝的第一套优质情商养成翻翻书,全球知名低幼读物作家卡伦•卡茨经典畅销书，新浪亲子、宝贝世界、亲子杂志三大主编，二十多家知名绘本馆联合推荐，共6册
卡伦•卡茨系列翻翻书-我可以分享
卡伦•卡茨系列翻翻书-不咬人
卡伦•卡茨系列翻翻书-对不起
卡伦•卡茨系列翻翻书-不打人
卡伦•卡茨系列翻翻书-最好的大姐姐
卡伦•卡茨系列翻翻书-最好的大哥哥
《加菲猫启智绘本：起床啦》为《加菲猫启智绘本》系列的一本。讲述了加菲猫和朋友们陆续起床，共同制作并分享美食的趣事。《加菲猫启智绘本：起床啦》的图画采用了“1·2”“1·2”的节奏，每一个情节用两个对页来表现。每个情节中都有一个人起床了，同时还有一个人熟睡的人翻了一个身，以预示下一个起床的就是他。这样的线索，不仅能培养幼儿的观察力，还能使全书富有节奏的同时更加连贯，且趣味盎然。
《加菲猫启智绘本》系列（全10册）是专门为0-3岁孩子打造的认知绘本，故事简单易懂，情节趣味生动，极具想象力，书中每个角色都生动鲜活，或天真可爱，或调皮搞怪，无不给人留下深刻的印象。《加菲猫启智绘本》在向孩子讲述一个好玩故事的同时，还融入了许多与认知相关的知识，如物品名称、颜色、形状，并渗透了关于友谊、分享、合作等情商教育。每册书还暗含很多线索，帮助在父母的引导下，自己感受探索和发现的乐趣，获得智慧的启迪。
